[I got a copy through NetGalley, in exchange for an honest review.]
Quite a strange book, in that it didn't exactly have a plot, more of a collection of "slice of life" moments. Well, moment in the life of a being able to bend reality to his will, or almost, surrounding himself, whether he wants it or not, with other exceptional beings.
After years, decades of wandering around, M is back in New York, where he gets reacquainted with old friends and enemies (not mutually exclusive), gets entangled in the local magic politics, finds himself facing strange worlds and creatures at times, all the while trying to remain "in good terms with the Management"—in other words, balancing feats of magic just right enough to live nicely, without getting much of backlash. And let's be honest, M's friends are often worse than his foes, considering the dire straits they take him into.
The New York M evolves in is definitely strange and enchanting in its own ways, mixing daily mundane places and events with happenings out of this world. Immortal mages trying to kill each others, the two Queens of New York trying to get the upper hand each int their own sly ways, revenge and curses, magical underground trains, apprentices coming out of nowhere, traders playing at human sacrifice... There are so, so many odd things in that city, in M's world in general.
The major problem I see with this novel is the fact it's a collection of mini-adventures, connected by a loose red thread much more than by any kind of solid plot. M meets some old friend who drags him on a crappy errand, or has to go and trick pirates to free another friend who got kidnapped, or finds himself in an alternate world whose rules may very well trample his own perception of reality... and so on. The blurb was misleading, in that its wording led me to believe there would be more of a plot (there's no real war between the Queens, for instance, and some of the stories felt repetitive). Instead, the connectors are people and places rather than events leading to other events, and not in the way of a more traditional narrative. Which is an interesting thing or not, depending on how you perceive it.
While I wasn't too convinced at first, in the end, this technique nevertheless offered glimpses into a magical world, and I found myself wanting to see which new adventure would unfold in every new chapter—not to mention that whenever connectors met, they still gave a sense of things tying together, but just a little, just enough, not as a series of convenient coincidences. (Because -that- can also be a problem, when a plot is too well packed and loose ends are too nicely tied.)
These stories also provide an interesting view on modern life: night scenes, drug addiction, poverty (so many people around you, who won't see you as you're being dragged down...), making and losing friends, art and pleasure, unpleasant acquaintances, wealthy lifestyle vs. a more subdued kind of existence, choices to make in the face of adversity, responsibilities, humanity...There's a strong current of life to this New Work, carrying its people just as much as its people carry it, and the author pictures it funny, dark and loving tones all at once.
Conclusion: I can't say I absolutely loved this book, however it contains a lot of imaginative elements, and the New York, the City with a capital C described in it, was such a vivid backdrop that it may just as well be called a character as well. 3.5 stars, going on 4.